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See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna
kyoshu-koi not-used-to-being-normal
gaylras

listen keith would tell hunk about his crush on lance and hunk would keep it a secret

but don’t tell me hunk wouldn’t always make shiro put lance and keith together on missions

don’t tell me hunk wouldn’t always wink wink nudge nudge at keith whenever he’d see them standing next to eachother

don’t tell me hunk wouldn’t always say things like “some things just go together, peanut butter and jelly, aliens and space, red and blue…”


hunk would 100% be Keith’s wingman and try to get him with lance every chance he had

Source: i-moved-to-quiznah
nathengyn fury176

do you ever just

squigglydigg

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“no that’s not dramatic and cheesy enough”

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“getting warmer”

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“t HERE IT IS”

maggotmagnet

i love this but i dont know how to do this

hoW

yokoboo

For those wondering about HOW to do this, here’s a short explanation according to me:

Drawing A to Drawing B:
-the most obvious change is the exaggeration of the line of motion in the character.  

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In Drawing B the line of motion is much more pronounced, creating more drama and movement to the whole composition

-The arms are open wider, showing more confidence and exuberance in the character, exaggerating their emotions so they can be more clearly read without having to look to the face for emotional cues.

-the legs are wider apart, adding to the aforementioned confidence but also giving the character a solid foundation, visually speaking.

-The head is tilted back and overlapped by the chest, adding a touch of dynamic perspective to the drawing.

Drawing B to Drawing C: 
-Most obvious change is to zoom in on the character.  Character framing is just as important as what the character is doing.  Zooming in can help infensify emotions.  this shot is ALL about this character and what they’re feeling.
-Because of the zooming in, the arms/hands would have gotten lost, so instead of making the canvas wider, the artist has elected to rotate the character slightly, bringing a dynamic angle to things and more intensity to the close shot.
-While the character is more upright in this shot compared to Drawing B, in Drawing C the chest still slightly overlaps the neck, preserving the feeling of being slightly below the character (putting them in a position of power relative to the viewer), which helps maintain confidence and power in the character.
-the chest is exaggerated to carry the majority of the body’s line of action so even though you cannot see the legs, our brains are able to fill in the gap and envision that line of action.
-The cropping/framing of the character allows for a more interesting composition/negative shapes created by the positive (character) on the negative (background), creating more visual interest as well as a circular motion to the composition through the arms, across the face to the negative space for the eyes to rest in before dropping to the hand in the background and back through the composition again.

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squigglydigglydoo

DID YOU DISSECT MY DRAWING TO FIND OUT WHY IT WORKS??  I LOVE YOU.  I LOVE YOU.  THANK YOU SO MUCH

Source: squigglydigglydoo art by op art tutorial process work hmmmmm
nathengyn shameless-fujoshi
sabertoothwalrus:
“ sabertoothwalrus:
“a study on drawing heads at different angles :V
”
hey look I decided to add photos in case that’d be more helpful
there are two distinct borders of this shape: the jawline, which is rigid, and the underside of...
sabertoothwalrus

a study on drawing heads at different angles :V

sabertoothwalrus

hey look I decided to add photos in case that’d be more helpful

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there are two distinct borders of this shape: the jawline, which is rigid, and the underside of the chin that is soft and connects to the neck

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sometimes the neck flesh overlaps the jaw bone though

Source: sabertoothwalrus art tutorial reference picture thank you!!
nathengyn sakura-rose12
culturenlifestyle

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Source: culturenlifestyle.com merch