suitboxers
Because an anon asked for Faerie!Klance and I’ve been dying for a good excuse to draw it since I came up with the designs. >>;
joker-ace
mefirstwiener
I see this in parking lots and it makes me sick. It’ll be 90-100 degrees outside and people will leave their Hugh Jackmans in the car with the window cracked only a little bit. If you see this please call someone so the poor thing can be taken somewhere safe
joker-ace
crowssants
all memes aside, the first two shrek movies are literally and unironically good ass films i’m being deadass serious
efrondeur
puncertainty
altean lance !! now served with illuminating stars
(click for better quality, DO NOT REDISTRIBUTE or i will hunt you down with my own two hands and my own two feet)
kyoshu-koi
not-used-to-being-normal
listen keith would tell hunk about his crush on lance and hunk would keep it a secret
but don’t tell me hunk wouldn’t always make shiro put lance and keith together on missions
don’t tell me hunk wouldn’t always wink wink nudge nudge at keith whenever he’d see them standing next to eachother
don’t tell me hunk wouldn’t always say things like “some things just go together, peanut butter and jelly, aliens and space, red and blue…”
hunk would 100% be Keith’s wingman and try to get him with lance every chance he had
nathengyn
fury176
“no that’s not dramatic and cheesy enough”
“getting warmer”
“t HERE IT IS”
i love this but i dont know how to do this
hoW
For those wondering about HOW to do this, here’s a short explanation according to me:
Drawing A to Drawing B:
-the most obvious change is the exaggeration of the line of motion in the character.
In Drawing B the line of motion is much more pronounced, creating more drama and movement to the whole composition
-The arms are open wider, showing more confidence and exuberance in the character, exaggerating their emotions so they can be more clearly read without having to look to the face for emotional cues.
-the legs are wider apart, adding to the aforementioned confidence but also giving the character a solid foundation, visually speaking.
-The head is tilted back and overlapped by the chest, adding a touch of dynamic perspective to the drawing.
Drawing B to Drawing C:
-Most obvious change is to zoom in on the character. Character framing is just as important as what the character is doing. Zooming in can help infensify emotions. this shot is ALL about this character and what they’re feeling.
-Because of the zooming in, the arms/hands would have gotten lost, so instead of making the canvas wider, the artist has elected to rotate the character slightly, bringing a dynamic angle to things and more intensity to the close shot.
-While the character is more upright in this shot compared to Drawing B, in Drawing C the chest still slightly overlaps the neck, preserving the feeling of being slightly below the character (putting them in a position of power relative to the viewer), which helps maintain confidence and power in the character.
-the chest is exaggerated to carry the majority of the body’s line of action so even though you cannot see the legs, our brains are able to fill in the gap and envision that line of action.
-The cropping/framing of the character allows for a more interesting composition/negative shapes created by the positive (character) on the negative (background), creating more visual interest as well as a circular motion to the composition through the arms, across the face to the negative space for the eyes to rest in before dropping to the hand in the background and back through the composition again.
DID YOU DISSECT MY DRAWING TO FIND OUT WHY IT WORKS?? I LOVE YOU. I LOVE YOU. THANK YOU SO MUCH
ceejles
amayas-scar
ruinedchildhood