THEORY TIME
EDIT: 10/15/18 9:34pm. Adding a few fixes, not to change any content; just to fix some hideous grammar and woefully shitty syntax. As well as expand a little on Audrey to be more fair.
Some rare, delectable theories regarding the finale of ML Season 2. I promise it will be an infrequent dish served maybe twice a year. This is still an art blog, and the next post will be just that.
For now, I wanna throw some inb4 ideas around and have fun seeing how it pans out with whatever eventually happens.
This is mostly regarding Mayura,her identity, and why that identity will determine the direction of the show till the end.
BUT ALSO. I want to explore why Mayura becomes a villain, and an unintended consequence she becomes for Hawk Moth.
This is gonna be a pretty big ass post. If none of this ends up happening, well…at least I hope it reads as an entertaining ficlet.
Grab a drink and enjoy.
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A case for Nathalie:
WAIT. She’s Catalyst! She can’t be Mayura!
I think she follows one transformation with the next. For however long Gabriel has had his ultimate plan, it seems to have always involved Nathalie. I don’t think there’s any falling out, or her running away in grief. She’s loyal and complicit. Btw, Catalyst has a bomb ass helmet. Hope she gets a bomb ass bike.
So once she accomplishes her role as Catalyst, Gabriel renounces her and summons her back to move on to Phase II: becoming Mayura.
I can see Nathalie becoming emotional about this. It’s a huge advancement in him trusting her. Gabriel is acknowledging her on equal footing by promoting her as his right hand, his one and only confidant; not just an assistant that knows a dark secret. And while she is thrilled at the prospect of growing closer to him, she is torn
knowing that the end goal is still putting his wife at his side again.
For Nathalie, this issue could cascade into stronger, more possessive feelings for Gabriel. She might convince herself that she knows him more intimately than Emilie at this point. She feels entitled to him, but she can’t have him. Thus, intrigue begins to enter into the mix.
CAN’T SEE HOW THIS WON’T IMPLODE IN YOUR FACE GABRIEL.
So how can I say any of this, considering official statements about her being his “boss,” and making Hawk Moth look like a “baby” ?
First, I’m fairly certain that both of these things were said by Jeremy Zag, especially the “boss” statement. English is not his first language, and if you’ve ever heard him speak, this is evident.
Incidentally, Thomas Astruc said Mayura would be an ally; one Hawk Moth can call upon it would seem, very often.
Assuming Zag didn’t speak incorrectly, I actually think all of these statements can be true at once.
Let’s get into why Nathalie could end up being the BIG BOSS through Mayura, and how we could have a helluva role reversal, and why Hawk Moth would be afraid of her.
First, without proper motivation it really didn’t make sense for Nathalie to become a big villain, or even a dark horse. Other than her ties with Gabriel, she was mostly portrayed as a devoted empty shell, with a few smacks of empathy for Adrien. This of course meant that Gabriel would have to be her only source of motivation to dare go above her station.
Enter scene with intimate, wifey hug from behind to Gabriel. BOOM. Motivation. Desire.

It’s interesting that Gabriel didn’t react at all. The man didn’t even flinch…which means this moment, and others like it, have played out before. But being that this is a kid’s show with a Disney logo in the corner, not much more can be suggested onscreen. Still, the audience is clearly told that the relationship isn’t purely professional.
Now, enter scene where Nathalie confronts Gabriel about quitting his goal of resuscitating his wife. Nathalie gets rejected, but with an unusual amount of civility on Gabriel’s part. Gabriel doesn’t get mad at her, even though her tone is stronger than usual. Even though she’s directly confronting him about his wife that he has been obsessed with for over a year. In fact, it takes a long time for him to finally answer her. Nathalie remains stoic, but blinks hard. Twice. This is something I love about a lot of French entertainment in particular. They often bother to insert subtle movements or expressions within the intended expression, whether enhancing, or in Nathalie’s case, contradicting her poise.
She leaves quickly, and we see one of the few times her face contorts, and reality crashes down on her. BOOM. A new conflict approaches.
Let’s talk a little about foreshadowing, because I think Nathalie is the shadow master, and the audience has always been given sneaky, off-putting hints.












































