Ladybug Review
The Newest Hero is a Ladybug and a Black Cat?
In recent years there has been a cry for more relatable, tangible, and ethnically diverse characters. But not just any type of characters, no, no, female characters. And more than just that, female, superhero archetype, characters.
Sure there have been female superheroes for a while now but many of those characters have been little more than eye-candy for the male population that has control of the superhero franchise. Super-heroines such as Wonder Woman and Super Girl come to mind, with their disproportionate bodies and reveling outfits. Companies such as Marvel and DC have recently begun a campaign to change the way their super-heroines look and act, but the stigma of being scantily clad and not being female fan friendly is already set within those characters.
Thankfully, there is one large group of individuals across the big pond from us that have heard this cry for a relatable, culturally diverse, fun, quirky, superhero female. They have heard the people’s cry and they have delivered. Beautifully.
Thomas Astruc is the creator of “Miraculous Ladybug”, and with the help of companies such as Zag toon Animation, Method Animation, Toei Animation, SAMG Animation, SK Broadband, Curl Stone, AB Animation, Bandi, Disney, TF1 and PGS this show will surely stand the test of time. This is a project “that goes east to west, from Japan to the United States,”1 according to Aton Soumache CEO of Method Animation. It first aired in Korea, then France and finally the United States, slowly making its way around the world, for anyone that needs a little bit of ladybug luck in their lives. Ryuji Kochi, general manager of Toei Animation has said, “there is nothing to compare”2 Ladybug too, and he is right.





